The long journey of how I went from hating Sony Playstation to becoming a brand loyalist

I make it no secret that I love the Sony Playstation family of consumer video game products. I currently have, in some form or another, every single home console they have ever released. I have already decided I wish to pre-order a PS5 and pick it up on launch day as the excitement of doing so has boiled up to epic proportions.

I hadn’t always been this way. There was a time when I actively hated Playstation. To the point I swore even if I ever did buy one of their machines I would make sure I only bought it used, second hand not from a re-seller like GameStop to guarantee that Sony didn’t get a single penny of my hard earned money. Settle in this is a long road.

But where did that level of animosity come from? How bad did it get? And more importantly, when did it subside being replaced with a new-found passion for the same product line?

I was so anti-Playstation I went out of my way to get an HD-DVD player for everyone I could because I desperately wanted that format to beat Blu Ray Disc. Only reason was because BRD benefited Playstation. Let me be clear. I lost friends, actual friends, over my utter hatred for Playstation. It was a mess. Of course, so was I but that’s a story for another day.

To understand my transformation you have to go back to the very beginning.

The Early Years- Atari clones to Nintendo

My first game console was nothing special. It was just a Coleco Gemini. Basically a knock off Atari 2600 VCS that was made by Coleco. No it was NOT a Coleco Vision with the Atari adapter it could ONLY play Atari 2600 games but it looked nothing like an Atari.

Here is a picture from Google of what the monstrosity looked like.

Coleco

What this did was introduced me to the world of gaming right away without a notion of brand loyalty. I knew I had an Atari. I knew it played Atari games. I was too young to understand what it actually was or how it came into existence. I didn’t learn that until years later.

Around this time my cousins got a home computer, it was one of those Apple II computers. I have no idea which specific model it was, I didn’t know enough about computers then and my faded memories are not useful.

All I do know is they played really lousy edutainment games because that was all they could get for free basically.

In an effort to condense the rest let me hit some of the highlights. In 1988 we picked up a Nintendo Entertainment System as a family.

I had to share this with my sisters. Of course I had a fondness for Nintendo games but I grew to despise the hardware as mine was like most, never worked as intended. That fueled my disdain for that product line.

The Sega Years

Then in 1994 at age 12 my parents gave me a brand new Sega Genesis Model 2 bundled with Sonic 2 for my birthday. It was the best day ever. I was so happy to have a console that just, worked. I also noticed, quickly, how it had more in common with those old Atari consoles than Nintendo.

At least in terms of aesthetic design, placement of the cartridges even the design of the carts them selves. Not to mention the revelation that the controller ports were the same making them interchangeable.

Yes I tried playing MK2 on my Sega using an actual Atari 2600 joystick. In case you are calling BS because of the above mentioned Gemini.

We got rid of that thing early on shortly after getting the Nintendo and I had picked up a used Atari from a Goodwill store around 1992 or 1993. Anyways I quickly connected Atari and Sega in my mind which facilitated this bond of emotions tying them to my early childhood development.

This is only compounded by my fascination with X-Men which had a strong presence on Sega consoles on top of my absolute love of video arcades. Sega, like Atari before it, had this big arcade following on it so I equated them with the video arcade experience.

Now this is where things get dicey. I was enamored by the luster of the Nintendo 64 so I bought one on launch day. However, I ended up taking it back and using the cash refund to buy a broken drum set and an SNES with a shoe box of games from a pawn shop.

What this did was it reintroduced me to the world of Nintendo while keeping me firmly locked in the 16-bit era slightly longer than most others.

This put me in a weird position where I truly wanted to think the Genesis was better than the SNES but I started falling into the trap of believing the lies the SNES was superior. Later I came to the conclusion they are absolute equals with each having strengths and weaknesses.

Where does Sony fit in all this? As a brand I was loyal to Sony. I had a Walk Man, a Disc Man, a Sony surround sound system, XPlode amplifier and speakers in my car, the works. Even a Trinitron TV. I was all in. Except for one area. Playstation. Now that I have set the stage let me dig into how it turned into a deep hatred.

The hatred begins

Once I realized my passion was for arcade games I started to notice a shift in focus in the gaming magazines. While I was longing for a 32X add on for my Genesis to bring me even more arcade ports to my home and begging my parents to sell my baby sister to buy me a Neo Geo to have arcade perfect ports in the home, the magazines were bragging about this new fangled Playstation.

My first reaction to the name was revulsion. It sounded like a jungle gym or attraction at the county fair. Not a serious game console. This revulsion was exacerbated by my discovery that Nintendo’s success was partially credited to its mascot, Mario, and Sega’s likewise to its mascot, Sonic.

I didn’t see a break out mascot on Playstation and seeing how Atari, Colecovision, Intellivision, Neo Geo, and others had all failed I decided in my teenage mind it had to be the lack of a mascot on those platforms. Never mind the strong mascot of Bonk on TG16 having no impact one way or another, I just figured it was a fact and accepted it.

Then there were the games. Sega and Nintendo had games I knew. Mortal Kombat. Mega Man. Teenage Mutant Ninja Turtles, X-Men, etc. Playstation had, weird games like PO’d, Wipe out and Ridge Racer. Yawn. And that’s just the ones I knew about or can remember off the top of my head.

Then there was the Saturn. Despite my longing for a 32X I still accepted the Saturn was out there and fully expected it to put that Sony machine in its place. After all it would have the strong arcade ports, the mascot games and the recognizable characters like Sonic how could it fail?

Well it didn’t take me long after I bought a Sega Saturn to learn had been duped. Sure it had arcade ports but of lackluster games for the most part. The mascot games sucked, Sonic 3D Blast was a damn Genesis game with CD audio added. No thanks.

And as for the recognizable characters, Shinobi, Vectorman and Ecco the Dolphin were replaced with Bug, Clockwork Knight and Panzer Dragoon. Some quality games slipped in there and Shinobi did get, a game, on the console.

It just wasn’t the same. But I didn’t see all that as a kid. I saw Sony actively bullying Sega into going out of business basically. The day I saw a Sega title sitting on the store shelf in a PS2 package, I cringed. I lost my love for Sega and this compounded my hatred of Sony’s Playstation brand. In my mind Sony killed Sega, and Atari too, and were making it impossible for other companies to step in. I had no choice but to declare my loyalty to Nintendo and dig in.

The shift to Nintendo fanboy

But wait, let’s back it up a second. You see the Dreamcast was discontinued in 2001 basically. I bought my N64 and PS1 on the exact same day, Sept. 7, 2000. Why? Because it was my 18th birthday and I had a paycheck I earned from my very real job at the time. No more saving up allowance or mowing grass for old people.

I was in control of my gaming destiny. So I did buy myself a Playstation 1. But I did it begrudgingly and ensured I had a Nintendo the same day to stave off any chance I would convert. After all PS1 was mostly still 90s X games crap like Tony Hawks and lame Indiana Jones knock off Tomb Raider.

I wasn’t happy to lose Sega in favor of Nintendo but I made the most if it with the absolutely amazing Super Mario 64. There was one more hitch. I bought my stupid N64 late 2000. Roughly 1 year later the Big N had replaced it with the GameCube, or as it was known in the gaming community the Purple Lunchbox.

I fell for it. I sold my PS1 and N64 and took home a Nintendo GameCube. This was, of course, following a couple of years just doubling down on my 16 bit Sega and Nintendo machines I never let go of.

Thus my love of retro stuff was born and it was growing all the time. I kept feeding it. At first it was slow. I grabbed a few retro games for my newly acquired Game Boy Advance. I started with the Super Mario Advance series, a very retro Super Nintendo homage series of games.

Then I picked up Sonic Advance, Altered Beast, Gun Star Super Heroes, Mario Kart Super Circuit and then Metroid Fusion. By this time I was also getting deeper into the world of emulation. This was the time I discovered a passion for retro games that quickly turned into an obsession.

It was this time when my hatred for Playstation was at it’s peak. I despised them because they represented new ideas. New game play concepts and new ways of gaming. I wanted things to be the way they were before.

I doubled down on my Nintendo collecting. I concentrated on amassing a sizable GameCube library, over 60 games at it’s peak. This was a way for me to really cement my connection to retro games.

Even if I bought a new Nintendo game I made sure it had ties to the old stuff. I bought Mario Party, Smash Bros., Zelda, Metroid and Mario Sunshine. I even picked upo Star Fox Adventures and then I loaded up on all the compilations I could from Mega Man to Sonic and Midway down to Namco Museum.

All this time I was telling myself Nintendo represented the good in the world and Sony represented all the evil in the world. I literally convinced myself Sony was evil. Playstation was for sinners and if you were a good Christian you had to play Nintendo games. Between this, blaming Sony for the death of Sega and Atari and my continuing to embrace the 8-bit and 16-bit retro period I saw no merit to the Playstation.

What really fueled my hatred above all else was the anti-Nintendo attitude Playstation gamers held. This was compounded by the anti-Sega attitude die hard Nintendo loyalists harbored. I was an outside.

I grew up with Atari first then Sega so to Nintendo fans I was a poser. I was a Johnny come lately. Which was false. I always had an NES and then an SNES before getting my N64 and Game Cube. I just devoted more time and energy to Sega because, to me at least, they had better games.

How Blu Ray blinded me to the truth

Then things took a turn for the worse. Nintendo released the Wii at the same time Sony was pushing Blu Ray. I had been an audio file and a video file my whole life. I knew quality when I saw it.

I knew the glorious high bit rate 1080p picture quality stored on those 25GB Blu Ray discs produced a vastly superior, not slightly but truly noticeably improved product than the HD-DVD.

Somehow my twisted hatred for Sony was so thorough by this point I adopted HD-DVD and ranted constantly how stupid Blu Ray was and how anyone who bought into it was a sheep being blinded by the Sony marketing machine.

I succeeded in converting one friend to an Xbox gamer as a result, a mistake I now regret as he has become a fanboy of that brand at the expense of Nintendo loyalty.

My other friends continued to hound me to abandon the sinking Nintendo ship and join the Playstation party wagon. I found myself really hearing the hypocrisy and idiocy in my arguments for why the Wii was not just a good system but actually better than PS3 in every way.

Of course I had no problem tearing down the Windows in a Box the PC faithful were buying especially to Nintendo and Playstation gamers, at least we could rally behind that cause.

Something changed.

Remember when I told you I bought a PS1 in 2000. I did so for one game. Final Fantasy 7. That game was enough for me to put aside all the negativity I had towards Playstation and just admit that one game was great.

I eventually conceded sure the Playstation has some good games but it wasn’t the point. The evil was in everything else so I carried on the fight.

In 2009 I woke up one day and noticed my Wii was sitting there in the midst of a stack of games I was determined to use to prove it was just as good, if not better than the PS3.

Reality hit me.

Every. Single. Game. was a PS2 port! All my friends laughed at me for constantly getting excited for this “NEW” game I got on Wii they were quick to say yeah dude we played that already, years ago on Playstation. Around the time I was desperately trying to enjoy Marvel’s Ultimate Alliance on Wii, even convincing myself the game was fun because of not despite the motion controls I had a real revelation.

The tide begins to turn

I was at a friends how and I casually picked up his Xbox 360 controller and started playing Crackdown. My god I was actually having fun playing a video game again! I realized I spent so much energy crusading for Nintendo, which was weird considering I stared out disliking them, instead of just enjoying the games.

The realization was the Wii didn’t have games I enjoyed. I hated the games it had. I hated the motion controls. I hated the Virtual Console charging me money for games I already owned. I was beginning to turn on Nintendo. So I did the unthinkable. Disillusioned I sold my Wii.

This was the time I briefly, from 2010 to 2013, became a die hard PC only gamer. I dug into the world of emulation, combined it with the ever increasing piracy trap of torrents and eventually found myself throwing perfectly good money away at upgrading computers to play a game I could just stick into a console and play without all that hassle.

In 2013 I decided to give Playstation a second chance. I had finally gotten over my hatred. I was convinced I missed out on two full console generations of great games out of a stubborn belief that Nintendo would die if I didn’t convert people from the cult of Playstation to the benevolent society of Nintendo. I was a dupe. No, I was a dope.

I grabbed a PS2 in a trade deal. I took it home picked up a few games I was told were supposed to be good and, my eyes were opened. All those wonderful worlds I missed out on. But the real revelation was this, Playstation WAS Nintendo.

The best of Sega and the best of Nintendo, minus Mario and Zelda, was on Playstation. All those great retro games I grew up with and fell in love with, Final Fantasy, Mega Man, Contra, Double Dragon, Mortal Kombat, Street Fighter, Castlevania and the list goes on and on.

Those franchises didn’t die like I had assumed since they were not on the Nintendo console. They were alive and well on Playstation. IN fact many were getting their best entries on the Sony platforms.

Once I discovered the depth of the origins of Playstation being tied to Nintendo I realized the original PS1 was the true successor to the Super Nintendo.

Nostalgia kicks in, discovery begins

I just missed it. Looking back nostalgia began to swell up but this time for Playstation. Not the games I grew up with but the games I missed in the franchises I grew up with. Oh sure I also discovered Mass Effect, God of War Jak and Dexter and even Elder Scrolls along the way the real treasure was discovering the hidden gems that actually felt like Nintendo games. All the Sega, Konami and Capcom games I missed out on.

All those Final Fantasy sequels I ignored in exchange for Crystal Chronicles. Then, things kept improving with Kingdom Hearts and Katamari Damacy.

By this time I shed my hatred for Sony and replaced it with a new found appreciation for how they actually saved not destroyed the traditional gaming I was fond of. I realized all those retro games I loved, those classic fighting games like Mortal Kombat and Street Fighter were STILL fun on Playstation while non existent on Nintendo.

I learned that Sony consistently released the same Super NES inspired controller with minor improvements year after year whereas Nintendo were the ones trying to get me to fall for the odd shaped trident on the N64 that mostly hurt my hands.

Nintendo were the ones trying to convince me gaming wasn’t fun anymore because it was too complicated and I needed to “get back to basics” with overly simplified motion controls based on an obvious throw back to their NES days as a covert way to trick gamers into thinking the glory days of the NES had returned.

It was Sony all a long

What I realized was Sony had preserved the retro gaming I grew up with and allowed it to grow into the modern gaming we have today by naturally evolving with the industry and society. It was Nintendo trying to reinvent the wheel every couple of years in the hopes that people would remember how fun they were and come back.

Instead of seeing how much Nintendo failed to embrace its root they were the ones facilitating unwanted changes on the very people who clung to their brand because it was supposed to be familiar. But it wasn’t.

You had some retro stuff like Mario Kart and Smash Bros. hanging around but even Zelda, Metroid, Kirby, DK and Mario get entirely reinvented every single generation. Sure they throw a familiar New Super Mario game or a Donkey Kong Country Returns to keep you coming back with an NES Remix or Super Mario Maker as a way to trick you into thinking their library has more depth than it really does.

None of this is to say Nintendo doesn’t try new things or they deserve the hate to be shifted to them. What I realized was while Nintendo always had merits I took for granted and over inflated, Playstation likewise had its own merits I was too blind to see.

Once I bought that PS2 it was mere weeks before I bought me a PS3. Less than a year later I had a PS4 and I never looked back. To this day I have logged more hours and had more fun rediscovering games I missed on Playstation than I ever did with Nintendo.

In the end I now see Nintendo and Sony are more alike than they are different. While I can see the good, and not so good, in both, I have come to appreciate that each one brings something special to the table.

They both deserve the praise and admiration they receive from the gaming community as a whole as well as their respective devotees.

Count me as a Playstation, Nintendo, Sega and PC gamer or just call me a gamer in general and I will put those silly fanboy school yard fights in the past, where they belong, while I anxiously wait for the Playstation 5 to whisk me off to new heights of fantastic gaming experiences. In the meantime I will continue to enjoy both the PS4 and Nintendo Switch for what each one offers me. Stay Cool.

What’s New to YouTube?- A Review Show!

Welcome back to another article here at The Spiders Lair, Where Chaos Resides. This time I am happy to announce I am starting a new video series called “What’s New to YouTube” where I will talk about newer, smaller channels.

Each week I will shoot out a Tweet and Facebook post inviting YouTube Content Creators to recommend their channel for review. I will select one channel based on the following criteria.

1. The show must be active

The creator needs to be making new videos semi-regularly, once a month will do. They must also be actively promoting the channel. This can be social media, podcasts, other means. As long as the creator is trying to grow his or her respective show I will check it out.

2. It must be a small audience.

The purpose of the show is to help get exposure to new, smaller channels while creating quality content that other YouTubers will enjoy. The channel cannot have more than 100 subscribers.

3. It must be relatively new.

This is subjective but if the channel was created in the last year and is actively growing it is eligible. If the channel was created some time ago and only posts sporadic content on rare occasions it is not actively trying to grow and is not eligible.

4. There needs to be some proof of commitment.

This is also subjective but I am using 20 videos as a minimum threshold. The most current video cannot be older than a month or else it won’t be considered active.

5. It has to be quality content.

This is very subjective but Let’s Eat, prank shows, conspiracy theorists, hate speech, personal diary style vlogs etc., will most likely not make the cut. But don’t hold back submit a channel and see if it gets featured.

I will feature one channel a week. I will look at the content, I will reach out to the creator on social media and I will link back to the channel and creator’s social media once the video is live on my channel. The creator is free to share the video and discuss it in their own content; blog, podcast etc., but they are not allowed to upload it to their channel or spam the comments of the video.

I am trying to make a series of magazine/TV style videos similar to Entertainment Tonight or TV Guide that brings attention to quality, but unknown, content.

I have a companion show called What’s Streaming. There is absolutely NO criteria for this show, I decide which videos or channels to feature.

What’s New to YouTube will ONLY review YouTube channels. I am not interested in Twitch or similar content. What’s Streaming can be anything, from YouTube, Twitch or podcasts to Hulu, Netflix and the like.

If you want to submit your channel for review on this exciting new series feel free to respond to one of the social media posts on Twitter @ phatrat1982 or Facebook @ thespiderslairblog. As always, Stay Cool.

A list of every PS1 Greatest Hits title

I wanted to share a list of the Playstation 1 Greatest Hits titles. I compared multiple lists and this is the most complete one I could find. Enjoy.

I will be compiling a few more lists for reference. I hate how Wikipedia and GameFaqs make it difficult to copy/paste these types of things. I hope someone can find this useful.

007: The World is not Enough
007: Tomorrow Never Dies
1Xtreme
2Xtreme
A Bug’s Life
Activision Classics
Air Combat
Alien Trilogy
Andretti Racing
Ape Escape
Army Men 3D
Army Men: Air Attack
Asteroids
Battle Arena Toshinden
Casper
Castlevania: Symphony of the Night
Chrono Cross
Cool Boarders 2
Cool Boarders 3
Cool Boarders 4
Crash Bandicoot 1
Crash Bandicoot 2: Cortex Strikes Back
Crash Bandicoot 3: Warped
Crash Bash
Crash Team Racing
Croc: Legend of the Gobbos
Dance Dance Revolution Konami Mix
Dave Mirra Freestyle BMX
Destruction Derby 1
Destruction Derby 2
Die Hard Trilogy
Digimon Rumble Arena
Digimon World 1
Digimon World 3
Dino Crisis
Disney’s Tarzan
Doom
Dragon Ball Z: Ultimate Battle 22
Driver 1
Driver 2
Duke Nukem: Time to Kill
Dukes of Hazzard: Racing for Home
Fighting Force
Final Fantasy 7
Final Fantasy 8
Final Fantasy 9
Final Fantasy Anthology
Final Fantasy Chronicles
Final Fantasy Origins
Final Fantasy Tactics
Formula 1
Frogger 1
Frogger 2: Swampy’s Revenge
Gran Turismo 1
Gran Turismo 2
Grand Theft Auto 1
Grand Theft Auto 2
Harry Potter and the Sorcerer’s Stone
Hot Wheels: Turbo Racing
Jeremy McGrath SuperCross ’98
Jet Moto 1
Jet Moto 2
Legacy of Kain: Soul Reaver
Legend of Dragoon
Loaded
Madden NFL 98
Mat Hoffman’s Pro BMX
Medal of Honor
Medal of Honor: Underground
Mega Man 8
Mega Man Legends
Mega Man X4
Metal Gear Solid
Monopoly
Monsters, Inc. Scream Team
Mortal Kombat 4
Mortal Kombat Trilogy
Namco Museum Volume 1
Namco Museum Volume 3
NASCAR 98
NASCAR 99
Need for Speed 1
Need for Speed 2
Need for Speed 3: Hot Pursuit
Need for Speed: High Stakes
NFL Blitz
NFL Blitz 2000
NFL GameDay
NFL GameDay 97
NHL 98
NHL FaceOff
NHL FaceOff ’97
Nuclear Strike
Oddworld: Abe’s Oddysee
Pac-Man World
Parasite Eve
Rayman
Ready 2 Rumble Boxing
Reel Fishing
Resident Evil 1
Resident Evil 2
Resident Evil 3
Ridge Racer
Road Rash
Road Rash 3D
Rocket Power: Team Rocket Rescue
Rugrats: Search for Reptar
Scooby Doo and the Cyber Chase
Silent Hill
Sim City 2000
Sled Storm
Soul Blade
Soviet Strike
Spider-Man
Spider-Man 2: Enter Electro
SpongeBob SquarePants: SuperSponge
Spyro 2: Ripto’s Rage!
Spyro the Dragon
Spyro: Year of the Dragon
Star Wars Episode I: Jedi Power Battles
Star Wars Episode I: The Phantom Menace
Star Wars Rebel Assault II: The Hidden Empire
Star Wars: Dark Forces
Street Fighter Alpha 3
Stuart Little 2
Syphon Filter 1
Syphon Filter 2
Syphon Filter 3
Tekken 1
Tekken 2
Tekken 3
Ten Pin Alley
Tenchu 2: Birth of the Stealth Assassins
Tenchu: Stealth Assassins
Test Drive 4
Test Drive 5
Test Drive Off-Road
Tetris Plus
The Lost World: Jurassic Park – Special Edition
TNN Motorsports Hardcore 4×4
Tom Clancy’s Rainbow Six
Tomb Raider 1
Tomb Raider 2
Tomb Raider 3
Tomb Raider: The Last Revelation
Tony Hawk’s Pro Skater 1
Tony Hawk’s Pro Skater 2
Tony Hawk’s Pro Skater 3
Tony Hawk’s Pro Skater 4
Toy Story 2: Buzz Lightyear
Triple Play 2001
Triple Play 98
Twisted Metal 1
Twisted Metal 2
Twisted Metal 3
Twisted Metal 4
Vagrant Story
Vigilante 8
Vigilante 8: Second Offense
Warhawk
WCW Nitro
WCW vs. the World
Wheel of Fortune
Who Wants to Be a Millionaire: 2nd Edition
Wipeout
WWF SmackDown!
WWF SmackDown! 2: Know Your Role
WWF War Zone
WWF WrestleMania: The Arcade Game
X-Men: Mutant Academy
Xenogears

Pokemon blues

The first time I heard about Pokemon was through a trading card magazine I used to get in the mail back in the late 90’s. If I am not mistaken it was a one off done by the folks at either Toy Fair, Wizard or one of those other hobby magazines I used to subscribe to in the days before the dominance of the web.

What I remember reading about was not the Game Boy game, but rather the exciting new trading card game taking the country by storm. The country, at that time, meant Japan, and the article was about how it was getting ready to invade the states. Invade was not strong enough of a word. Pokemon completely changed everything.

I had a friend who opened up a trading card shop in the early part of the decade during the rise of the Magic the Gathering craze. Magic was a great game and all, but me, I was more into Star Wars CCG. That’s Customizable Card Game for the uninitiated.

One thing he told me, at the time, was card games come and go. He believed Magic had longevity because of the cross over between D&D fans. I was more skeptical. See, I bought Marvel OverPower, Star Wars CCG and Spell Fire (the D&D game) so maybe I was a little biased. However, neither of us expected Pokemon to stick around longer than a few seasons, the card game that is. At the time there wasn’t a video game or cartoon in the states just yet. The oncoming storm was brewing, we just weren’t fully prepared for it.

I remember right after my younger sister started showing me her Pokemon cards my first reaction was to roll my eyes. I already started getting into Dragon Ball Z TCG and the Digimon cartoon was starting to pique my interest. I thought Digimon was so much better than Pokemon, it would only be a matter of time before it supplanted Pokemon and the ‘Pikachu and Pals’ craze would fade into obscurity.

It was around the time I picked up a Game Boy Pocket that I got my first taste of the Pokemon video game. A friend at school sold me his Yellow Pocket so he could buy a Green Game Boy Color. He gave me two games with it, Wario Land, Super Mario Land 3, and Pokemon Blue. Needless to say I didn’t even insert the pokecart into my machine. I traded it to Software Etc., the game store in our mall before it turned into a Game Stop. That was it, no more Pokemon for me. I bought an N64 earlier in the year, along with a PS1. I started to realize there were Pokemon games showing up on the N64 and then, seemingly out of the blue a movie gets announced.

I continued to resist. I was too old to get into that crap. I was 16 when it came out and I had already upgraded to Playstation and Mortal Kombat, I wasn’t even spending much time playing Sonic or Mario games at this time in my life. Pokemon was certainly, I thought at the time, beneath me. Especially with my younger sister, six years below my age, being so into it. Of course she didn’t have a Game Boy, for  her it was a card game.

One day I came home from work. I worked at the buffet in the casino. I discovered all my tip money I had been saving up was missing, around $40 or so. By the end of the day I discovered my sister and one of her friends had taken my money and spent it. They played games at the arcade, rented movies at the video store, bought a pizza and to top it all off they brought home a few packs of those silly Pokemon trading cards. I was furious. At this point I had enough. I made her and her friend sell their Pokemon cards to pay me back the money they stole. I wasn’t going to be too harsh on my ten year old sister, so I ended up taking her and her friend out to the buffet for supper to say no hard feelings, but I insisted they sell those damn cards to pay me back. I learned in the trading card business how quickly a hot card can rise in value and then plummet so I knew we had a narrow window to sell them for cash. She ended up paying me back every penny, and I washed my hands of that fifthly game for good. Or so I thought.

The years would go by and I would continue to resist. Every time a new game came out I grew increasingly hostile towards Nintendo. They never released those stupid things one at a time. They always came out in pairs along with some console tie in or spin off, which meant they were devoting a lot of resources to that game not making games I would have bought. This resentment carried into my interactions with fans online. I instantly attacked, berated and dismissed the opinions of anyone over the age of 7 that talked about Pokemon. I was really harsh. I really hated that game.

Things began to soften up a little bit once I got a Game Cube in 2004. I purchased a copy of Super Smash Bros. Melee and quickly learned Pikachu was a pretty good character to win matches. I chalked it up to him being the most recognizable character in the franchise so I never really let it lure me into trying the games. It wouldn’t be until 2010 when I downloaded the Pokemon Blue rom for GB and played it on my Windows PC before I ever game a proper Pokemon game a chance. If this is the part in the story you were expecting me to say, wow, what was I missing out on all these years, wrong. All it did was confirm my suspicions.

The game was just a watered down, RPG knock-off with the most obnoxious collect-a-thon mechanic at the entire heart of the game. Not something like a RareWare platformer where the core game play was at least fun. It wouldn’t be until Pokemon Go before I would give a video game in the franchise a serious chance. This time it was for work. I was working at a newspaper at the time of the games launch. Of course all the other media outlets were doing stories on people walking into traffic or walking off a cliff or similar stories. I decided to write safety guide and how to column for the newspaper where I worked. I order to be informed, I downloaded the app and tried it out.

Now you are thinking a-ha! Finally that sour puss converted once he saw the true light! Wrong again. I ended up keeping the app installed for a little over 2 years, but only to let me nieces and nephews walk around catching Pokemon and hatching eggs. Eventually I lost interest and walked away.

Now why am I writing an article about how I missed out on the Pokemon craze if I continue to have disdain for the video games and cartoons? After all, at this point if nothing has converted me nothing will right? Wrong. Or slightly incorrect. You see I have converted, sort of. Recently the collector in me- especially the kid who was big into collecting trading cards in the 90’s- has started to have a desire to get back into collecting trading cards. Again as a window to bond with my sisters kids I thought I might give collecting the cards another go round. Not that I want to look for rare or valuable cards though. I thought maybe I will pick up a few packs and see what kind of a set I can get going.

Along the way I sampled the anime when it came to Netflix. I even tried out some of the other games, including Coliseum on Game Cube. The only one I ever enjoyed even slightly was the original Blue. I liked the e-Reader stuff and have considered collecting Pokemon-e  but I suspect that would be cost prohibitive at this point. These days I play the Blue Rom on my laptop and wonder what it would have been like had I discovered this franchise 2 years earlier in life, or maybe not had the negative experiences to associate with it. Needless to say my Pokemon blues today manifest in the form of a what-if scenario I will play in my mind. At least once in a blue moon, as they say.

Why HOUSE music is NOT TECHNO music

The birth of Techno music is often attributed to an isolated DJ in the slums of Detroit while it’s counter-part, “house music” is attributed to an isolated DJ in the clubs of Chicago. Both alleged movements describe their music as the definitive origin of modern Electronic Dance Music. These distinctions are often very divisive among aficionados of electronic music. However to divorce both techno and house from the origins of Hip-Hop is doing a disservice to the pioneers of the techniques that would evolve into the diverse strands of EDM music techno-nerds constantly fighter with each other over on the interwebs to this day.

This is an analysis of the evolution of the terms as they relate to the styles of music we have today. This is all from the perspective of a lonely DJ whose understanding comes from the studying of the roots of the movements, independent of any agenda, or even more importantly, ties to a movement.

The claims go as such. Someone in Detroit was mixing disco records with electro records and developed this into the musical style techno-nerds will call “techno” music. The so-called attributes of the music are singled out as they are defined solely by how closely they resemble the benefactor with no regard to the reality of the techniques being developed for nearly a decade previously by DJ’s in the Bronx, Southern L.A. as with elsewhere. The so-called purists make every attempt to white-wash Techno music by making the claims it strictly evolved out of the ashes of the discothèques from the late 70’s who’s audience had moved on.

The addendum to this alternate reality account of the rise of the dance music disregard the techno moniker entirely, going out of their way to stringently insist it only applies to a very narrow, very precise set of rules determined arbitrarily by the followers of a cult-like DJ who they credit with creating, what they refer to as ‘house’ music, which bears a striking resemblance to the music the uninitiated refer to as ‘techno’, which they deem either unworthy or inferior to their beloved house term. Both sides equally ignore the development of the music Hip-Hop DJ’s were doing elsewhere, while simultaneously accrediting, incorrectly, developments to DJ’s who severe ties with the urban roots of Hip-Hop. This is not to say the author himself believes white washing is inherently a sin. However, in the context of the evolution of electronic music, it is a disservice to blatantly neglect the work of the ghetto disc jockeys and their obnoxious rhyming emcees who popularized the music being created by mixing records on turntables. This, in fact, requires a serious bending over backwards on the logic of those holding to the false narrative.

Thus it is now THE RAT, who shall bear witness the truth of the birth of electronic music, henceforth correctly identified as Techno for all purposes. Partially based on the erroneous neglecting of the connection to Hip-Hop music the cult followers of the Detroit/Chicago narrative stubbornly adhere to. Also partially birthed in the fact that words actually matter but only in that they are defined. Consider this. Rock N Roll music is the bas moniker for Hard Rock, Punk Rock, Heavy Metal and Speed Metal. Yet, none in the rock community disregard the black roots of their music. The undeniable reality is Rhythm And Blues, born out of the same ghettos that would give rise to rock n roll, bears little sonic resemblance to modern rock n roll to the uninitiated. Still, those who can rightly follow the path from blues to rock to metal ought to also be able to follow the same path from R&B, to funk/disco to Hip-Hop/Techno. It’s not exactly rocket science. Of course ignore the obvious auditory similarities still requires one to disregard the science of linear time. That is, Chicago House and Detroit Techno could not exist in a vacuum with no ties to the developments of electronic music taking place in the Hip-Hop community. Rather it allows certain individuals to disconnect their beloved ‘European-based’ music from the taint of American urbanism. That is to say, a narrative that proclaims techno or even house, began in the white suburbs of the Midwest completely ignores the existence of the disc jockeys mixing disco and funk records into what would become colloquially as rap music.

Disco music itself was a white-washing of the funk music being produced. There are two different paths which interconnect, dissect and reconvene throughout. The short version is this. Funk was stripped of its hook and verse, reduced to the simple break, then mixed with another break, layered upon with scratches, 808 drum beats and other elements to become Hip-Hop music, one of the four elements of the Hip-hop culture.

Disco music began winding down in the cities as rock n  roll was making a resurgence. Clubs and radio waves were cluttered with New Wave bands and imitators who were mixing pop, rock and electronic music to form the basis of the synth pop that dominated the decade. Eventually disco was also stripped in a similar fashion and also layered as funk was being turned into Hip-Hop, disco underwent the same process becoming what those who are not afraid of the cult followers simply call techno. Techno music became an offensive term as it was entered into the lexicon and became short-hand for all electronic produced music. Thus in retaliation the cult followers began impressing upon society an effort to restrict the usage of the term until such time as nothing left could be classified as “techno”, they were so offended by the utterance of the word they not only cringe upon hearing it they shift into belligerent attack mode in an effort to contort history to belittle the pour soul who elected to mistakenly use the word they fear so much. Thus the re-writing of history ensues in an on-going barrage of misinformation used to scare people into accidentally using the wrong term. Coupled with a culture born from being as Politically Correct as humanly possible and this fear of words limits their ability to express themselves without accidentally offending those who adhere to the cult.

This is the truth. Electronic music created using the same methods as Hip-Hop, be it old school turntables with mixers and the like, or combined with synthesizers or even created using loops, if it is in fact electronic and is produced in the same manner at all, as in NOT by playing of actual instruments to create new, original compositions, it is in fact Techno. House music does not exist in the mind of this technophile. It is a make believe term retroactively applied, falsely to a genre of music whose very existence has been under attack by the cult of a single DJ from Chicago.

All of this can be proven by listening to a handful of Hip-Hop acts Break Dancers cling to, mostly who fall under the banner of Electronic Funk (a cousin of Hip-Hop) which is what the cult of house followers will point to, falsely, as what they call ‘Techno’. If one listens to Soul Sonic Force “Planet Rock” and calls that ‘techno’ then listens to TECHNOtronic and calls that house, dismiss their unsound logic and believe the truth, Techno is what they cult of house refuse to utter for some weird hang up. Techno Syndrome is not even correctly label a “techno” song on wikipedia because the cult of house are hard at work scrubbing all references to the word, even when used itself by those making the music. They adhere to a false doctrine perpetuated by a lie to hold up their weird, twisted belief that some disco DJ sitting in Chicago was somehow insightful enough to create his own style of music with absolutely NO prior knowledge of what was already being done elsewhere in the country at a time when radios and MTV were prevalent. Let the haters bring their wrath upon the one delivering the truth. Stay cool friend.

–THE RAT

What it’s been like transforming a weekly podcast into a daily internet radio show

Congratulations you are caller number nine stay on the line and we’ll hook you up with today’s grand prize don’t touch that dial we’ll be right back after these messages.

Ever since I was very young I always wanted to get into broadcasting one way or another. I studied broadcasting in college. I never knew if I would end up in radio or television all I knew was I wanted to be able to create a show I could share with an audience and keep them entertained and informed.

My career in the media and entertainment industry has been a little bumpy, to say the least. I have worked in live entertainment, weddings, a sports arena, two different local broadcast TV station and a weekly newspaper. On the digital front I have done a little bit of everything ranging from writing, producing, music, videos and everything else. At one time I even started up my own independent record label which I used to publish underground hip-hip and techno/trance albums. The only thing missing from my repertoire is radio.

Like most people in this business my primary goal is to stay busy. Whenever one job has run it’s course I quickly begin looking around for the very next opportunity. Sometimes, if you are lucky and keep your eyes open, you can end up juggling multiple projects at the same time. I launched my current blog, this website you are reading this article on, around 2013, while I was still in college. Since then I expanded to include a YouTube channel and a once a week, 2 hour long uncensored podcast. While I enjoy doing the podcast I felt like I was cutting myself short. When I was working for the newspaper I toyed with the idea of transforming the podcast into a daily internet radio show. The idea never went very far as I was always working. Now that’s changed I have a little more time to focus on doing the things I enjoy.

Recently I decide to give it a show. I finally settled on a format I think works for my personality while maintaining some sense of professional production values. I want to do the radio show as if it was a broadcast series. This means keeping it limited to a set time length, a specific format and staying within the guidelines of the FCC. Although it is an internet show and thus government censors do not apply, my goal is to do it as closely to a over-the-air radio show as I can get it.

One of the things that has been motivating me is my desire to stop waiting around for someone to give me a job doing the things I enjoy and instead just making things happen. Fortunately I can say without a doubt since I have launched the daily series I have gotten the attention of the right people as I have finally begun getting many of the job offers I had been waiting for.

The biggest challenge isn’t biting my tongue. I function quite well in polite American society so I can form intelligent sentences without the use of profanities or other “dirty” language. The real difficulty has been in being disciplined enough to keep the length and format the same each episode while being consistent in uploading at the same time each day. It’s important to reach my audience if they can rely on me to deliver a consistent product that matches their lives.

One of my worries was if I did this daily would I be able to come up with enough topics to hold it down? I decided if I settled on an hour long format with very specific segments it would emulate what I learned working in the TV business. This way I would know exactly what needs to be discussed during each segment. I decided I would do an opening segment where I just talk a little about my life, my day and the world around me. Then I would transition into a recommendation section where I discussed an old movie, music work and a video game. I decided on this segment because it gives me something to be consistent while also being flexible to keep the conversation loose.

Then I decided I would transition from there to reading of headlines and offering commentary on those headlines. I figured this format would be tailored to my tastes such as I would be able to keep it going for a while. The first road block is I have finally been offered a position at a TV station I can’t refuse. This is going to put me back to working a 40 hour work week. At first I thought that would interfere with my ability to produce a daily show. However I am not thinking it will only make me more disciplined and polished giving me a chance to produce a more professional show.

No matter what happens I want to keep doing both The Dark Web Podcast on weekends and the new Dark Web Daily Show on weekdays for the near future. Part of what I like about producing my own show is I am in complete control of the content. I am looking forward to getting back to working a steady job for a media production company. Still I enjoy having the freedom to produce something on the side that is entirely mine. More than anything I produce the show I want to do and I hope my audience will find it as enjoyable to listen to as I do producing it.

The Dark Web podcast episode 3- (SH*THOLE EPISODE) Nintendo Labo, R-rated horror movies on the decline?

https://thespiderslair.podbean.com/e/the-dark-web-podcast-episode-3-shthole-episode-nintendo-labo-r-rated-horror-movies-on-the-decline/

This R-Rated examination of the decline of hard-r rated horror movies. Also a look at how Donald Trump has made it okay to say shithole in the news now. A brief but energetic rant about the Nintendo Labo crap coming from Nintendo, and a look at the passing of the world-famous singer of the Irish band, The Cranberries. It’s a shorter episode packed with lots of thoughts in rapid succession. Oh I also talked about the recent Cracked video layoffs.

The Dark Web TV Episode 2- UNBOXING STUFF, Go-Bots combiner team and more

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In this episode I introduce a new soda product I recently discovered. I start things off with my first ever unboxing. For the What’s Streaming segment I mentioned two YouTube channels that are interested to me. They were Biographics from the people who make TodayIFoundOut, and MetalJesusRocks crew. In the Retro Showcase I showed off my original Go-Bots combiner team, Puzzler. The Dark Web TV is a news/talk show done in a similar format to a typical news broadcast but modified for the YouTube audience. This show is a companion piece to The Dark Web podcast. New videos are set to stream each week. Follow The Spiders Lair: Twitter: @phatrat1982 Facebook: @thespiderslairblog Podcast: http://thespiderslair.podbean.com/feed/ iTunes: https://itunes.apple.com/us/podcast/t… Website: http://www.thespiderslair.com Please like and share.

Dreaming of some good Mash Up movies: Versus, team-up and cross over films that might be interesting to see just for fun

Over the years there have been a lot of cross overs done in comic books, video games and to a lesser extent, films. Now that the comic book multiverse concept has firmly taken Hollywood by storm here is a list of completely fantastic team-up, cross over and versus films that would be fun to see. This is just for fun so there are no rules, rights issues, budget, mixing genres, etc., none of that will be taken into consideration.

1. Spider-Man vs. Wolverine

This one has been done in the comics before. It could be a team-up or it could be a straight brawl to the death, either way it would be lots of fun to put these two anti-heroes together on screen as opposites.

2. Beetlejuice meets Scooby Doo

Imagine a movie where Tim Burton directs an all CGI world with  a mix of live-action and computer characters. The plot would basically turn out that Scooby and his companions find themselves facing an actual ghost. It would be a total over-the-top comedy of course.

3. GI JOE and Transformers

Hasbro and Paramount had a missed opportunity to put the GI Joe and Transformers characters into the same universe. With reboots all the rage in Hollywood it would be really cool to see them reboot both the GI Joe film franchise and the Transformers with them teaming up to take on Unicron.

4. Mega Man and Castlevania

It would probably be best as CGI but it would work as cell animated. Live action would be harder to pull off. It would have a Belmont team-up with Mega Man in a weird alternate universe where the robot masters are all horror movie themed and the locations are set in Castlevania. This might make for a better video game than movie but whatever it needs to happen anyways.

5. Pinhead vs. Chucky

These two don’t really exist in the same universe but it could work. Pinhead and his goons all wind up terrorizing Chucky who stumbles upon the puzzle cube believing it could finally set him free from his doll body. He ends up defeating the cenobites because they learn since he is made of plastic their torture methods don’t work on him. In a weird way he would actually be the hero of the film.

6. Ghostbusters v.s Gremlins

This one would have to be animated with a retro throwback style of the Real Ghostbusters cartoon. The Gremlins could be CGI but I suspect it would work best if everything was animated. It would blend horror and comedy with the Ghostbusters trying to find a scientific explanation for the Gremlin problem while looking for a solution. It would put them out of their wheel house as they fight a physical monster their proton packs would be useless against. It totally has to be holiday themed, probably Valentines Day or Groundhog day just for the hell of it.

7. Marvel vs. DC the movie

This absolutely absurd idea somehow worked in the 90’s with a comic book crossover that shook up the entire comic book fandom. With Marvel making so much money from their ventures for Disney they could easily strike some sort of deal where they step in and “save” the failing DC film universe by bringing everything together for an epic 3-film blockbuster record breaking behemoth. This one actually needs to happen one way or another, somebody make it so.

8. The Mighty Morphin Power Rangers meets Sailor Moon

It needs to be live-action with Japanese characters for the Sailor Moon side and Americans based on MMPR Season 1, or you know those kids from the recent reboot. I imagine it would start out with the two sides as enemies then teaming up as the monster shows its face and they do what they do best. It should have a totally 80’s metal glam rock soundtrack too.

9. Smash Bros: The Movie

This one is a piece of cake. It needs to be CGI. It needs to be PG-13. It needs to have voice actors from the entire video game and comic book spectrum. It just needs to happen A.S.A.F.P. ‘Nuff Said.

10. Monster Mash

This would basically be a full reboot of Monster Squad but with a hard R rating, and feature not the Universal Monsters but Chucky, Jason, Freddy, Pinhead, Letherface and Michael Myers as the monsters. It would follow a similar structure to the original but would need to have teenagers instead of pre-teens.

Whether any of these actually happen or not, these would all be completely entertaining films to watch.

Exploring digital music stores

I have reached a point in my music collecting that I need to explore other options. I like buying CD’s because they offer me a physical thing I can put on a shelf while also giving me the ability to rip the tracks to my hard drive and then move them to my iPod. The problem is, CD’s are not getting any cheaper for some reason. I buy from Amazon and even though I have Prime, it still ends up costing 7-10 per CD. I was buying them for $2 to $3 each brand new unopened or $.99 used from Hastings. Sadly, Hastings is no longer in business. There doesn’t seem to be any other new or used CD retailers near by so I have turned to the internet. I was hoping I would find some cheap alternative to Amazon but it doesn’t appear to be the case. Now I am exploring digital options.

First, I am NOT anti or pro digital. I have always been for whichever options is cheapest while being the most consumer friendly. My primary reasons for sticking to CD’s has always been cost. When I can get a CD for under $5 even if I only like 2-3 songs, it’s worth it because I value the packaging and artwork, the physical item, at least $1 value so I tend to figure that’s a good price. It’s not like in the 90’s and early 2000’s when I was spending $12 to $15 for a CD just for 2-3 songs, if that. Cost value has always been a factor. I purchase music from iTunes a lot but based on cost alone. For instance, if I know for a fact I only want literally 1 songs from a certain CD and it’s not worth the space having a physical copy would add to the clutter, then I pick up the song from iTunes for the $.99 or $1.29 they tend to be. However, if I know I want all of or a majority of songs, for example Doggystyle by Snoop Dogg, I wanted the whole record, so I was not going to spend the $9.99 on a digital copy when I would prefer a physical copy with the fold out pamphlet. This is another reason why just having a single JPEG for the album art sucks, you just get the superficial cover, you don’t get the actual contents of the booklets.

I realized there had to be a better option. I shot down Amazon digital because the selection sucks. Sometimes they have a “CD” I want and sometimes they just have selections from the artists library. I have come across HUNDREDS of songs or albums they do not have. iTunes has a similar shortcoming so in those instances I tend to look for the actual CD. I tried Pandora but I hate Pandora. I even tried the paid option for a period and it wasn’t any better. I learned Pandora is designed to help you “discover” music. I am 35, I discovered all the music I like when I was a teenager now I just want to build up my collection so I can have music to listen to when I am in the right mood.

Then I tried Spotify. At first it seemed like the perfect option. I could add ENTIRE albums to my playlist, if I paid a monthly fee I could turn off ads, and the player wasn’t terrible to navigate. The first shortcoming I noticed, however, was like Amazon and iTunes they are limited to licenses. This means sometimes they have the ORIGINAL recordings by the original artists, and other times they have those disgusting “Remastered” copies. It’s never clear if a remastered edition refers to them cleaning up the original audio recording tapes from before digital like they did in the 90’s, or this new, very disgusting trend where old men attempt to re-record songs in their twilight years hoping they will sound the same as when they were young men. Trust me I have compared plenty of original recordings to the remastered versions and I can ALWAYS tell the difference. Something  is always off. Maybe the drummer gets tired and starts to slow down, maybe they are using a different drum kit than before, sometimes the guitarists tunes his guitar different or the singer just can’t hit the high notes like he could when he was young. Sometimes it’s noticeable but not too terrible and other times it literally sounds like a damn cover band. I hate that.

Also, they always add new tracks, usually “studio sessions” or demo crap I am not interested in. I want the ORIGINAL album just like it was when it was originally released. The whole point in buying CD’s or records even if you go that far, is to have a tangible item from your actual past. Not some replica. I don’t want reproduction NES carts and I don’t want artists re-recording their songs and selling replicas of their real works.

I have also run into the issue of rights. Sometimes Spotify only has the rights to a selection of songs from an artists not their entire works. This isn’t a problem for mainstream artists but when looking for tracks by techno DJ’s from the 80’s or those quirky low-selling alternative bands from the 90’s suddenly it becomes an issue. To make matters even worse, sometimes they don’t even have full soundtrack albums just a user created playlist containing the closest example of the songs from that soundtrack. I couldn’t even find a single recording of Techno Syndrome by the Immortals, the THEME song to Mortal Kombat. It wasn’t available on any of the digital stores, not even Pandora or Amazon. Nothing. Now I already have the complete line of CD’s, including More Kombat which is just a few bonus songs, but still if someone wasn’t aware of that shortcoming they wouldn’t be able to “discover” that song because it doesn’t exist as far as the digital stores are concerned.

All things considered I realized that buying digital is not the best way to go even still in late 2017. By now you would think they would have everything digital but its like streaming movies services, somehow less is more is their philosophy and its just frustrating as a consumer. I guess I will just stick to buying CD’s for the most part resorting to digital only when it’s necessary to acquire the one or two obscure songs from a particular artists, assuming iTunes or Amazon even has the song I want. I couldn’t find a single store that had Beautiful by Joydrop. I don’t want to spend the outrageous price they want for a copy of the CD for just 1 song so I either have to do without or settle for streaming from YouTube. That is, until YouTube decides to take the video down, again.